Justin G
WA
Caught on the wave of life
April Born And Bringing '88 back
Music/Fashion/Truth/Life/General Dopeness
Esquire Theme by Matthew Buchanan
Social icons by Tim van Damme
25
May
Ladies and Gentlemen. Fellow Broshe. I give you The Nike Roshe Run “Mango” #wdywt #ootd #nike #niketalk #nikerosherun #teamroshe #teamrosherun #northwestsneakers #igsneakercommunity #mango #mynikes #nikesportswear #roshe #rosherun #roshemaster #solecollector (Taken with instagram)
@dylanraasch creator of the Nike Roshe Run just liked my photo of my Roshe collection. Thanks again for creating this beautiful shoe! I’m sure everyone agrees! #nike #nikerosherun #teamroshe (Taken with instagram)
24
May
7 of 7. Shout out to @angelachanny for the final Mango Roshe! #nike #niketalk #igsneakercommunity #northwestsneakers #teamrosherun #teamroshe #roshe #rosherun #solecollector #mynikes #roshemaster @21mercer @nikestore @nicekicks @sneakernews @solecollector (Taken with instagram)
#nowwatching Before there was Hunger Games, there was #littlemanhattan #movienight (Taken with instagram)
23
May
“Who hurt you Lionel? Who hurt you?!” #lionelrichie #hello #isitmeyourelookingfor #familyguy (Taken with Instagram at Walmart)
1957 One Dollar Bill. #panera #vintage #money #dollar #buck (Taken with instagram)
22
May
John Mayer - Walt Grace’s Submarine Test, January 1967
(Source: albertsamuelgarcia)
![gq:
Amen! D’Angelo Is Back!!
Sh-t. Damn. Motherf—ker! If you love D’Angelo like we do, this one’s gonna give you chills. GQ presents the neo-soul legend’s first extended interview and his first photo shoot in more than a decade. Here’s a brief bit of GQ correspondent Amy Wallace’s spellbinding profile, and click here to read the whole thing.
Shame, guilt, repentance—D’Angelo knows them well. To say that he was raised religious doesn’t begin to capture it. He’s the son and the grandson of Pentecostal preachers. To D’Angelo, good and evil are not abstract concepts but tangible forces he reckons with every day. In his life and in his music, he has always felt the tension between the sacred and the profane, the darkness and the light.
“You know what they say about Lucifer, right, before he was cast out?” D’Angelo asks me now. “Every angel has their specialty, and his was praise. They say that he could play every instrument with one finger and that the music was just awesome. And he was exceptionally beautiful, Lucifer—as an angel, he was.”
But after he descended into hell, Lucifer was fearsome, he tells me. “There’s forces that are going on that I don’t think a lot of motherfuckers that make music today are aware of,” he says. “It’s deep. I’ve felt it. I’ve felt other forces pulling at me.” He stubs out his cigarette and leans toward me, taking my hand. “This is a very powerful medium that we are involved in,” he says gravely. “I learned at an early age that what we were doing in the choir was just as important as the preacher. It was a ministry in itself. We could stir the pot, you know? The stage is our pulpit, and you can use all of that energy and that music and the lights and the colors and the sound. But you know, you’ve got to be careful.”
[Photograph by Gregory Harris]](http://24.media.tumblr.com/tumblr_m4fheluD8Y1qe6vsbo1_400.jpg)
gq:
Amen! D’Angelo Is Back!!
Sh-t. Damn. Motherf—ker! If you love D’Angelo like we do, this one’s gonna give you chills. GQ presents the neo-soul legend’s first extended interview and his first photo shoot in more than a decade. Here’s a brief bit of GQ correspondent Amy Wallace’s spellbinding profile, and click here to read the whole thing.
Shame, guilt, repentance—D’Angelo knows them well. To say that he was raised religious doesn’t begin to capture it. He’s the son and the grandson of Pentecostal preachers. To D’Angelo, good and evil are not abstract concepts but tangible forces he reckons with every day. In his life and in his music, he has always felt the tension between the sacred and the profane, the darkness and the light.
“You know what they say about Lucifer, right, before he was cast out?” D’Angelo asks me now. “Every angel has their specialty, and his was praise. They say that he could play every instrument with one finger and that the music was just awesome. And he was exceptionally beautiful, Lucifer—as an angel, he was.”
But after he descended into hell, Lucifer was fearsome, he tells me. “There’s forces that are going on that I don’t think a lot of motherfuckers that make music today are aware of,” he says. “It’s deep. I’ve felt it. I’ve felt other forces pulling at me.” He stubs out his cigarette and leans toward me, taking my hand. “This is a very powerful medium that we are involved in,” he says gravely. “I learned at an early age that what we were doing in the choir was just as important as the preacher. It was a ministry in itself. We could stir the pot, you know? The stage is our pulpit, and you can use all of that energy and that music and the lights and the colors and the sound. But you know, you’ve got to be careful.”
[Photograph by Gregory Harris]
via jhnmyr
via albertsamuelgarcia
via gq
via used2thepain